LO3: Set Design and Storyboards

 LO3: Set Design

This set design was originally meant to be the set for the second scene. Due to complications out of my control however, this scene had to be changed so the inside of the building was never shown and the audience can only see the outside of the building. This change occurred due to availability issues between actors and actors choosing to no longer be part of the film mid production. 

 Unit 5: Scene 2 Set Design:

Storyboards:

Scene 1:

For this scene I will be using an aperture of f1.8 - f4. This will allow me to get extremely shallow depths of field on close ups by using f1.8. By using f4 I will also be able to keep multiple people in focus at once when doing wide shots or medium shots My shutter speed will stay at 1/50 as this is double my frame rate (24fps). My ISO will vary throughout depending on the natural lighting situation and what aperture I am using at the time however it will usually be around 800-1200. The lighting for this scene will comprise of overcast natural lighting to help with my social realism and gritty connotations. 

Scene 2:

For this scene I will be using an aperture of f1.8 - f4. This will allow me to get extremely shallow depths of field on close ups by using f1.8. By using f4 I will also be able to keep multiple people in focus at once when doing wide shots or medium shots My shutter speed will stay at 1/50 as this is double my frame rate (24fps). My ISO will vary throughout depending on the natural lighting situation and what aperture I am using at the time however it will usually be around 800-1200. The lighting for this scene will comprise of dark natural lighting. The light for the shots will come from street lights and soft boxes in order to reduce noise and keep there actors visible to the audience. 

Scene 3:

For this scene I will be using an aperture of f1.8 - f4. This will allow me to get extremely shallow depths of field on close ups by using f1.8. By using f4 I will also be able to keep multiple people in focus at once when doing wide shots or medium shots My shutter speed will stay at 1/50 as this is double my frame rate (24fps). My ISO will vary throughout depending on the natural lighting situation and what aperture I am using at the time however it will usually be around 800-1200. The lighting for this scene will comprise of overcast natural lighting to help with my social realism and gritty connotations. 

Scene 4: 

For this scene I will be using an aperture of f1.8 - f4. This will allow me to get extremely shallow depths of field on close ups by using f1.8. By using f4 I will also be able to keep multiple people in focus at once when doing wide shots or medium shots My shutter speed will stay at 1/50 as this is double my frame rate (24fps). My ISO will vary throughout depending on the natural lighting situation and what aperture I am using at the time however it will usually be around 800-1200. The lighting for this scene will comprise of overcast natural lighting to help with my social realism and gritty connotations. 

Scene 5:

For this scene I will be using an aperture of f1.8 - f4. This will allow me to get extremely shallow depths of field on close ups by using f1.8. By using f4 I will also be able to keep multiple people in focus at once when doing wide shots or medium shots My shutter speed will stay at 1/50 as this is double my frame rate (24fps). My ISO will vary throughout depending on the natural lighting situation and what aperture I am using at the time however it will usually be around 800-1200. The lighting for this scene will comprise of overcast natural lighting to help with my social realism and gritty connotations. 

Scene 6:

 

For this scene I will be using an aperture of f1.8 - f4. This will allow me to get extremely shallow depths of field on close ups by using f1.8. By using f4 I will also be able to keep multiple people in focus at once when doing wide shots or medium shots My shutter speed will stay at 1/50 as this is double my frame rate (24fps). My ISO will vary throughout depending on the natural lighting situation and what aperture I am using at the time however it will usually be around 800-1200. The lighting for this scene will come from soft boxes as we will be filming in a dark room. I will use a key light to cast a harsh light over the subject but a fill and hair light will not be used as I do not want even lighting in this shot. The harsh key light will help cast shadows and will further the mystery and intrigue of the shot.